Название книги: Правда во имя лжи фильм
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О книге «Правда во имя лжи фильм»
(She sold the script just 10 days before the election.) Then came Trump’s unexpected victory.
While the theme of a woman in charge now felt even more vital, Trump’s war on the media provided an urgent, insistent example of history repeating itself.
Suddenly, a screenplay set nearly half a century in the past had a message that would deeply resonate with the present: that the press is meant to serve the governed, not the governors.
Steven Spielberg read a draft of the screenplay in February and decided to make the movie—, was brought in to help reshape the script with Hannah. The nearly unheard-of speed at which the film came together mirrored the furious pace of the news cycle under the new president.
Although Trump-centric news was constantly erupting while Hannah and Singer reworked the script, the sustained chaos didn’t distract them so much as rile them up.“We were feeling very hopeful in telling this story and getting it out into the world,” Hannah says.
And it just shows how if you’re gonna put out a story like that, you better be sure you’re getting the right story.”Of course, one of the major differences between media then and now is that far fewer people can agree on what constitutes “the right story.” The public readership has fragmented mostly into hyperpartisan tribes, each explaining their own version of events.
The idea of a single, agreed-upon, objective reality is fast becoming a thing of the past.“We’re living in a world where the truth is no longer the truth,” Hannah says.